https://services.gabriellupi.com/insights/en/ Analysis on fan data, streaming, live and the music market in Brazil — for those who build artist careers and festivals. en https://services.gabriellupi.com/insights/en/vendeu-ingressos-e-agora/ https://services.gabriellupi.com/insights/en/vendeu-ingressos-e-agora/ Tue, 07 Jul 2026 12:00:00 -0300 Why Brazilian festivals lose their fans between editions — and how to stop starting from zero. https://services.gabriellupi.com/insights/en/artistas-locais-dados-de-fas/ https://services.gabriellupi.com/insights/en/artistas-locais-dados-de-fas/ Mon, 06 Jul 2026 12:00:00 -0300 Brazil has the most favorable conditions in the world for building direct fan relationships: a fast-growing market, exceptional loyalty, and WhatsApp as the dominant channel. Almost no artist is taking advantage. https://services.gabriellupi.com/insights/en/rock-in-rio-216-mil-playlists/ https://services.gabriellupi.com/insights/en/rock-in-rio-216-mil-playlists/ Fri, 03 Jul 2026 12:00:00 -0300 Every major festival is a data event. Spotify knows exactly what happened to the audience during and after the show. The promoter, in most cases, doesn't. https://services.gabriellupi.com/insights/en/super-listeners-ingressos/ https://services.gabriellupi.com/insights/en/super-listeners-ingressos/ Wed, 01 Jul 2026 12:00:00 -0300 Spotify calls them Super Listeners. Goldman Sachs estimates that monetizing them represents an $18 billion opportunity by 2035. But first, you need to know who they are. https://services.gabriellupi.com/insights/en/proxima-edicao-comeca-hoje/ https://services.gabriellupi.com/insights/en/proxima-edicao-comeca-hoje/ Tue, 30 Jun 2026 12:00:00 -0300 Festivals that treat their audience as a compounding asset arrive at the next edition with a permanent advantage. Those that don't start from zero — again. https://services.gabriellupi.com/insights/en/lgpd/ https://services.gabriellupi.com/insights/en/lgpd/ Tue, 16 Jun 2026 12:00:00 -0300 The question comes up in almost every conversation. The honest answer: an artist's biggest data-protection risk isn't working with data — it's not working with it. https://services.gabriellupi.com/insights/en/cinco-milhoes-de-seguidores/ https://services.gabriellupi.com/insights/en/cinco-milhoes-de-seguidores/ Fri, 12 Jun 2026 12:00:00 -0300 Instagram followers and Spotify listeners don't belong to the artist's team. They belong to the platforms. And the market is starting to act on that asymmetry.